
STEADICAM EQUIPMENT
ARRI ARTEMIS 2 SLED
The latest innovation from ARRI Camera Stabilizing Systems. Engineered with ARRI’s renowned precision and durability, it’s designed to be intuitive and effortlessly simple to use. It also has an upgrade path to the ARRI Trinity 2.
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The Artemis 2 utilizes SAM plates that slide directly into ARRI Pro Cam Accessories, making it simple to switch between modes and saving valuable time on set.
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The 7” UltraBright Monitor delivers color-accurate viewing, even in full sunlight.
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The 5” UltraBright monitor is rigged underneath the camera, making it quicker to switch to low mode and providing a more ideal viewing angle.
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Power the latest 24-volt cameras through the sled, including the Alexa 35, Alexa LF, Alexa 65, and Alexa 265.
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With just a few additional components, the Artemis 2 can be easily upgraded to the ARRI Trinity 2. I plan to offer Trinity 2 services soon, so feel free to get in touch if you're looking for a Trinity 2 operator in the future.
GPI PRO TITAN ARM
Renowned for its strength and rigidity, the Titan can support payloads of up to 32 kg. It is the toughest Steadicam arm on the market and has become the gold standard for camera stabilization.
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The Titan incorporates premium materials and advanced structural design to provide exceptional strength and rigidity. Renowned for its reliability, Titans have been known to last to over a decade with minimal faults.
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With a payload range of 6 kg to 32.6 kg, the Titan can stabilise almost all camera packages. The kit includes both blue and black canisters, allowing for precise tuning.
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Modular design for easy disassembly, maintenance, and cleaning directly in the field.
GPI PRO VEST
A front-mounted vest, custom-made to my measurements in Texas, USA. It’s comfortable, lightweight, and low-profile, making it perfect for maneuvering in narrow spaces.
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All Pro vests are custom-made to the operator's chest and waist measurements, ensuring proper load distribution across the shoulders and hips, as well as a comfortable fit.
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As a front-mounted vest, it keeps the rig slim and manoeuvrable through doorways and narrow spaces. Additionally, it is lightweight, weighing just 3.1 kg.
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A 4” drop-down for the socket block, machined by Walter Klassen FX in Canada. At 6’3”, this modification allows me to operate the rig at a more comfortable, lower position.
BEBOP B90CINE BATTERIES
The B90 is a high-load, 24-volt battery designed to power the latest cameras through the sled. Featuring the secure B-Mount, it’s ideal for stabilization across various terrains. The kit includes 9 B90 batteries, ensuring ample power throughout the day.
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B90 batteries are dual voltage, offering both 12V and 24V to power cameras and accessories through the sled when needed. The 24V option has become a new industry standard, supporting cameras like the ARRI Alexa 35, 265, 65, and LF.
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Loose equipment or weight changes can impact the rig’s balance. The solid engineering of the B-Mount interface guarantees a sturdy connection, far superior to other battery mounts.
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Flying for work comes with its challenges, but B90cine batteries make it easier. With a capacity under 100 watt-hours and flight-safe tags, they can be legally carried on board in a Pelican Air carry-on case.
INOVATIV VOYAGER 42 CART
Built to last, Inovativ makes the premium carts in the industry. The Voyager is a fully collapsible mobile workstation designed for operators who need a lightweight, durable, and reliable workspace on the go. Equipped with Steadicam accessories, it streamlines the process of moving equipment between sets or during location changes.
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Constructed from premium aluminum, composite materials, and stainless steel hardware, the Voyager is both lightweight and sturdy.
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Customized with accessories to carry the vest, arm, and sled together, making transport on set simple and efficient.
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With a tool-free design, the workstation can be quickly set up or collapsed into itself, with the removable wheels packed in, and then securely locked down to transform it into a compact case for convenient travel.
CUSTOM CASING
Every case has been personally designed by myself for protection, efficiency and presentation. To me, the little details matter.
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Pelican cases provide reliable protection for my gear, ensuring it stays safe during transport, no matter the conditions. Their durability and secure design give me peace of mind, knowing my equipment is shielded from impact, water, and dust.
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I spent weeks researching, measuring, and designing each case to ensure it’s efficient and practical—not just for me, but for the camera assistants as well. Everything is a reflection of me as a business, so I take great pride in the presentation of my equipment. And of course, I had to add in some purple ;)
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All cases are designed with travel in mind, ensuring they meet luggage size requirements. Every case is equipped with wheels to make it nice and easy moving between airports, taxis, and hotels.
2024 ford transit custom
Whether it’s working full-time and dropping off gear at preproduction, or shooting dailies for narrative or commercials, having the right wheels to transport the gear makes all the difference. The Ford Transit allows me to easily wheel my kit in and out —especially after a long day of work.
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My entire Steadicam kit fits easily into the van, even with the cart built up, plus there’s still room for two additional passengers and extra equipment.
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Shooting in built-up areas can present challenges, with parking being one of them. The 2024 Ford Transit Custom fits into parking lots with a height clearance of under 2 meters, making it ideal for city locations.
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Awarded the 2024 International Van of the Year, the Ford Transit is Europe’s most popular van, combining reliability and efficiency for transporting gear with ease.
READY TO TRAVEL
I have experience shooting both nationally and internationally. Whether your shoot is local, interstate, or abroad, my kit and I are ready to go.
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I’m an Australian and New Zealand Citizen. I have experience working internationally in the UK, France, Germany, Switzerland, China, Cambodia and New Zealand.
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The details of my cases are ready to go—each one has been carefully weighed and measured. A PDF with all the necessary information can be sent through at any time for your convenience.
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I can handle all aspects of the carnet process for my gear. Whether you're working on a local or international shoot, I’ll take care of the paperwork.